Category: History


(This is an art song written for Søren Kierkegaard and Regine Olsen using his journals and writings as inspiration. Kierkegaard never married and left everything to Regine who remained a major inspiration in his works.)

From Kierkegaard’s Works of Love: ‘But every tree is known by its own fruit. So also is love known by its own fruit and the love of which Christianity speaks is known by its own fruit—revealing that it has within itself the truth of the eternal. All other love, whether humanly speaking it withers early and is altered or lovingly preserves itself for a round of time—such love is still transient; it merely blossoms. This is precisely its weakness and tragedy, whether it blossoms for an hour or for seventy years—it merely blossoms; but Christian love is eternal. Therefore no one, if he understands himself, would think of saying of Christian love that it blossoms; no poet, if he understands himself, would think of celebrating it in song.’

Inner Reconciliation (click here to listen) 
(When my microphone comes back from repairs I’ll sing it for you, for now the flute substitutes.)

Inner Reconciliation

In the garden he does pledge
she accepts his proposal
sovereign queen of his heart
unknown divinity, mythic echoes
cast Søren and Regine

Their love, its abiding prophecies
full of life’s eccentric premises,
mere shadows lost in the light

In his melancholy he falters
placing his last hope
she pleads, he wounds

Their love, its abiding prophecies
full of life’s eccentric premises,
mere shadows lost in the light

Deceives to give her soul resilience
his sin a lack of faith
ever devoted

(instrumental interlude)

Their love, its abiding prophecies
full of life’s eccentric premises,
mere shadows lost in the light

Linked to New World Creative Union’s prompt to use Arthur William Edward O’Shaughnessy, “We are the music makers, and we are the dreamers of dreams.” http://newworldcreativeunion.blogspot.com/2012/05/wednesday-wake-up-call-for-05092011.html?spref=fb

Rage to Master

for Maria Anna Mozart

Virtuosic musical obsession
aesthetic grace, bravura elegance
harpsichord, voice, and violin
maestoso harmony of liberty

Fall from the vertiginous heights
composition immured within society’s
circumfluent atmosphere of misogyny

Sophistical arguments internalize, si ohgfrettn
deference becomes a form of self-mutilation
impeding precocious melodies
denying life giving freiheit

Vivace swirls of cascading notes
accelerado of primary drives, gusta,
drowning in the noise of a distorted reflection

Convex mirrors cede self-possession
to the obliterating reign of man
inspired scores, con fuoco, reduce to ash

Abandoning creation ma non troppo
deaf to internal pleas, grief consumes
assents to spiritual suicide

Sforzando genius
selbstverstümmelung prodigy
diminuendo dolce maestro
pyrotechnics detonate internally

Linked for OLN at dVerse Poets Pub hosted by poetic force of nature Natasha Head http://dversepoets.com/2012/05/01/openlinknight-week-42

Soul to Tinder

‘It is easy to see why each man
kills the things he loves…
To try to know a living being
is to try to suck the life out of that being…
The desirous consciousness,
the spirit, is a vampire.’*

Doomed lovers, how we cling to tragedy
in the end all love leads to death
veil of discovery and joy obscure the picture
transfixing us with embroidered beauty
until the fatal bite, irrevocable action
transmutes veil to funereal shroud

This pain arrives surreptitiously
thieving the interminable hours
pleading, screaming, weeping
my ineffectual gesticulations
elaborate disguise hides death as savior
skull covered, knotted flesh from fallacy

Seductive advances, potent virility
pathogenic bacteria reproducing
induce consumptive weakening
as I consider, your breath upon my face
skin aflame with feverish desire
will they burn my heart when I am gone?

* D.H. Lawrence
Linked to Blue Flute’s prompt on Vampires at dVerse Poets Pub: http://dversepoets.com/2012/04/28/poetics-vampires/

Circumspect, I have seen through the centuries
frayed cords encapsulate the shaded tale
oracles portend my unreciprocated love
misogyny reigns in a world of grave unraveling
positing by nature I am meant to obey
Aristoclea teaches Pythagorus:
philosophy inscribed on a fine layer of dust
which cannot be remembered

Arete, the splendor of Greece
possessed of the beauty of Helen
with the soul of Socrates
and the tongue of Homer
will never bear daughters of philosophy
2300 years they will clamor
at the gates of knowledge denied keys
hidden in the cowering folds
of history’s divisive night

I am a lioness, prostasia of the Garden
presumptive former hetaera
with the effrontery to challenge Theophrastus
whirlpools of thought capture victims unsung
as long whispered fears signal
the philosophic imaginary, a wilderness
an undertow on volcanic shores

Detritivores tunnel, long spools unwinding
as gods consume the fervid masses
arguing for ataraxia
knowing what they will do to Hypatia
equality seen as democracy’s moral failure
delineating lost markers
we are denied existence
stripped of effective consciousness

Property lines drawn in space
each a bounded deontology
we are deemed natural deformities
maladapted, malevolent sisters
less than shallow, temples atop sewers
cartographic drawings without names
I refuse to build statues
to these paragons that forsake me

Dystopia

(c) Tracey Grumbach

orphans of ideology
birthed of vengeance and invention
razor wire twined minds
inoculated against thought
suffering attachment disorders
imprecating when drawn close
distended bellies, emetic fed

crooked timber from which
no straight thing
can be built or imagined
monuments of totalitarian tyranny
agents of social genocide
technological mutations
of philosophy’s thunder

survivors of the ethical wasteland
post-apocalyptic terrors
great impersonal forces
devouring, obliterating, consuming
vacuous lusus naturae
specious liberty counteracted
by naivety of true answers
to end spiritual and intellectual confusion
as the great experiments fail

infallible machines tally
initiate rational reorganization
spout utopian simplicity
a return to pre-civilization
yet the fetid dead thrown
in mass graves accumulate
victims of progressive thought

now the omniscient puzzle
built of Platonic ideals
denatures with rot, denies all striving

My NaPoWriMo day 7 write linked to http://dversepoets.com/2012/04/07/poetics-new-view-for-you/

Blush of Dawn

(c) 2009 Anna Montgomery

Proud Nabataean daughters serve Al-Uzza,
morning star, light bringer, residing in the acacia,
patron goddess of Mecca and Petra
rebirth and immortality her initiation into secret lore
climb the thousand steps to the sacred precinct,
at the temenos there glory in her vast grace

Almandine eyes set within revered stone block
anqa takes flight, a mystic on the wing,
transmuting the godhead, merging creator and creature
bliss capable of annihilating the self
opens the gates to the kingdom of the dead

Ankh penetrates the hidden meanings
temple key to eternal life spiral unfolding
at the milk and blood anointed fiery alter
amphora holds her precious offerings
amulets assure perpetual stability

In this sanctuary, the holy of holies,
where the goddess embodies The Mightiest One
lions guard her gates, protect her people
rose stone caves animate her power omnipresent
tremble at the sight of the triumphant, luminescent one

This Ode is linked to Form For All: On Free Verse hosted by the immensely talented Samuel Peralta http://dversepoets.com/2012/05/31/formforall-on-free-verse-picasso-and-yachting/

Inside the Picture

 
from The Color of Pomegranates

for Sayat Nova and Sergei Parajanov

Before the monastery in Haghbat
prior to the Persian invasion
and death’s black end
that finished my singing

I was the master of song
my love a passion overflowing
the vessel of our lives
birthing poetry

Harmony realized through
creative energy
my beloved books
become the tools of your seduction

Handmade poet’s lyre
turning the inlaid handle
tuning my instrument to your key
each strum upon the body
brings me closer
to the essential

You work the threads of my childhood
Its color and aroma
into the lace of your purity
through you I discover my grace

A gentle wind streams silk
I am the wandering nightingale
burning this white rose for you
water flows over stone
in the Turkish bath of my desire

‘I am careful with your mouth, you speak in fables…’

We players now imbibe love
skipping, drumming, whirling
as we empty our vessels

‘How am I to protect my wax-built castles of love
from the devouring heat of your fires?
You are fire, your dress is fire.
We were searching for a refuge for our love;
instead we found the land of the dead.’

Prodding the lion with a stick
the vultures eye orbs
life’s fragility a globe of glass
tossed in the air, harbinger of
midnight horses and animal hides
antlers and barren branches

Peacock drinks from your lips
muskets fire above your still breast
your death cements my longing
spurs me along the path
lined with stained rubies

The walls of the mausoleum
preserve the tattered ash
of my words
you exist only here, abandoning us
an encaustic imprint
of the dramaturgy of color

Memory shifts the frame of consuming passion
moves me with its rhythm
you wove the lace of death
its visage conceals my pain
your shells upon the black vase

Death obscures your almond eyes
I cannot recognize you
or see my image reflected within

The peacock cries in the window
I will follow you through the black door
though I am cloaked in your colors
I am forbidden to enter now –
blind to the source of my life
I wait for the Persians

‘Who took my mind? I did not see the magician.’

Sayat Nova was an Armenian poet/troubadour (1712-1795) born Harutyun Sayadian in Tiblisi. Sayat Nova means ‘master of song’. His wife, Marmar, died leaving him with their four children. He was killed during the Persian invasion. All quotes are translations of his poetry. Sergei Parajanov was a Soviet Armenian film director. His film The Color of Pomegranates is based on Sayadian’s life. He was banned from making cinema for 15 years following its release for putting aesthetic concerns over ideology.

Linked to dVerse Poets Pub an incredible online poetry community – if you want to join us please click here  http://dversepoets.com/2011/10/18/open-link-night-week-14/

Theoria

Imperium is the Latin root of empire
an aspiration to absolute universality
impetus and warrant to wage war, execute laws, expand

Conquest was deemed morally justified
bringing civilization and true religion
to grateful denizens of many Protectorates

Trialectical human geography reinforces social constructs
of core and periphery, defining privilege,
creating marginalization and the status quo
in an application of cultural hegemony

Geopolitics, nationalism, and globalization
reinforce power structures, fuel the use
of vindictive military force among
anathematically opposed world views

Poïesis

Consider the devolution of the dominant center
both within our own psyche and the structure of society
imagine migration with no demands for acculturation
that allows cultural exchange and hybridity

Exploration of the nature of Eros, born of Poverty and Resource,
reveals a lack of the good and beautiful merged
with intelligence and resourcefulness

Love is never possessing but always striving
‘poïesis in the soul through the cultivation of knowledge and virtue’*
a threshold occasion, a moment of transformation

Ecstasis, begetting and bringing forth the beautiful
averting the inevitable consequence of genocide, the legacy of imperium,
violence toward the other, born within fractured selves

A blooming of the blossom, the birth of eudaimonia
through the reconciliation of thought with matter and time
poïesis, the source and meaning of poetry

Praxis

Application begins with critical pedagogy
undergirded by radical democracy, feminism, and social justice
the learner as co-creator of knowledge

Envision post-nationalism where citizens gain
actualized, liberated personhood in a new space
a new humane geography

Dependent on difference
encompassing universally recognized human rights
true diplomacy, an accord, a détente
for our traumatized globe still revolving around the ideology of imperium

*Plato from The Symposium

Refusal To Be Cast as the Observed 2008 18X24 Acrylic and Pigment Stick by Anna Montgomery

 for Camille Claudel

Mode de vie

‘Men have expelled you
from the world of symbols…’

born of the culture
knowing eyes ready
to absorb aesthetic influence
caught in gender’s ontological ruse
cast as muse

Le artiste (le future)

‘and yet they have given you names…’

Rodin’s model, mistress
influencer, collaborator
sculptor, painter, a creator
but never equal (non pair)

Le mûr age (fermeture)

‘They say the language you speak
is made up of signs that rightly speaking
designate what men have appropriated.’

poverty and obscurity
now cast out these are
your gifts from society
one that finds no place for
‘a revolt against nature:
a woman genius’
you work, you destroy
anger spirals inward

La fatalité (destinée)

‘They say the language you speak
is made up of words
that are killing you.’

committing you
doctor’s try to convince
Paul to let you out
he refers to you
in the past tense

lying in a communal grave
no one claims you

Camille Claudel public domain

Notes: Camille Claudel was a French sculptor and painter. Art critic Octave Mirbeau called her ‘a revolt against nature: a woman genius’. She was a genius destroyed by the concept of gender and her society. ‘Men have expelled you from the world of symbols and yet they have given you names . . . . They write, of their authority to accord names, that it goes back so far that the origin of language itself may be considered an act of authority emanating from those who dominate . . . they have attached a particular word to an object or a fact . . . . They say the language you speak is made up of words that are killing you. They say the language you speak is made up of signs that rightly speaking designate what men have appropriated.’ is from Les Guerilleres by radical French feminist Monique Wittig. Camille Claudel’s surviving masterpiece which dealt with the dissolution of her relationship with Auguste Rodin was called by several names: The Mature Age; The Destiny; the Way of Life; The Fate. After her break with Rodin she fell into poverty and obscurity. Her younger brother Paul had her wrongfully committed to a mental institution where she eventually died and was buried in a mass grave.

The Emplorer by Camille Claudel

Linked at dVerse Poets Pub for Open Link Night #12 – please join us http://dversepoets.com/2011/10/04/openlinknightweek-12/

Create central intelligence:
Project/protect the fantasy
invert, convert, digest, repeat.
Cull/scourge the weak
inject, reject, regurgitate, unleash.
Fashion/impassion your guerilla army
recruit, reboot, oppress, regress, shoot.

Pile/revile trash from here to anywhere
electrify, deny, decry, undermine.
Cash/opiates paid for secrets, insert in slot
spot, capitulate, insinuate, cast aside.
Pulp/whore up those lying spies
gravitate, emulate, identify, underlie, interrogate.

Glorify, espouse, glamorize, bind, scrawl, shape, strip, demoralize, characterize
shift, shout, torture, mobilize, calculate, indoctrinate, analyze, and strategize.

Whatever you do don’t learn the language.

Begin again:
Pick a spot on the map, set traps, rehash,
espy, cartography won’t lie, transmogrify,
redefine, carve ideologies, proselytize,
intimidate, obfuscate, in an endless loop.

Disinformation can withstand the facts.

‘We are what we repeatedly do.
Excellence, then, is not an act,
but a habit.’

Blame Aristotle.

For a thorough history of the CIA read Tim Weiner’s Legacy of Ashes http://www.amazon.com/Legacy-Ashes-History-Tim-Weiner/dp/038551445X