Category: Philosophy


Forming Mortals

PrometheusPrometheus depicted in a sculpture by Nicolas-Sébastien Adam 1762

Prometheus by Nicolas-Sébastien Adam, 1762 (Louvre) – Public Domain

here begins her
soliloquy in a minor key
a complex subtext
contortion of the plot

he shouts defense of natural law
impulses of his sexual proclivities
mistaking law for justice
longstanding psycho-logic trick

incestuous gods revenge
apocalypse of politics
the tragic Titan fallout
of an autoerotic tryst

 

*The title is from Goethe’s Prometheus: ‘Here sit I, forming mortals’

Advertisements

Anna Montgomery

refracted photographic imprints
mirrored images, effigies
of a soft, fragrant
long forgotten
afternoon

gracile clouds
dissipating into
pregnant air
earth absorbs
emotion and
forgets

dreamscapes
marred with
anti-compositional devices
ruin punctuated by lilacs

spherical imaginarium
a cultural artifact
cracked by tremors
calibrating pain
at precise frequencies
mensurating oppression

data recorded on
an unending spool
quantum computing
oscillator made of
wolf bone

appropriated symbols
assimilated by the
AI processor
to ensure
it can’t be

personal

yet each embodied
one is attuned
to history
to the iron-salt
smell of blood

Detail from Denatured Structure by Anna Montgomery

pink magnolia
petals cascade
within the space
between the cast-
iron bed frame
and moments of passion,
my semiotic erotica

existing in the same
space as I read an
American Hybrid
Anthology – Super
Target parking lot
transmissions capture
antipoetic phrasing

immersed in disruption
of a linear, temporal path
illogicality seems actionable,
implicitly possible,
delicious even

fragments rupture an
empirical process
while immanence
revolves/devolves
in Google searches
missives in ether
petitions to digital
gods, binary masters

memory terraforms
another exoplanet
spiral galaxy
mimetic minds
contextualize
world building
half comprehensions
poems unraveling
in space-time

microcosmic bees
swarming my hive
incinerate the wasp
translucent frogs croak
a requiem . . . codification
stitches these seams

here in the room
where myths are born
Hypatia calculates an
elegant proof while
Sappho presages
a papal decree

all poetry is reduced
to ash, each word burns
away its discovery
this line will soon
alight upon a zephyr
carried to the sea

all is transformation
in a universe of energy
conservation, an unending
causal chain unfolding
from the first shift force
directing matter as
particles coalesced

within an atmosphere
of censure I carved an
ivory key, securing
esoteric runes –
legacy of what
was once lost

D'Ranged 25.6.7482 for Camilla D'Errico

D’Ranged 25.6.7482 for Camilla D’Errico

She posited a postmodern pout
a mechanized quandary
intellectual/artistic/philosophic inquiry
cyborg helmethead being
weighing on her mind

an anarchy of manga tangles
speaking unknowable truth to power
she embraces complexity
in matrices of binary contradictions
ambiguous fractured metaphysics

for a meta-human world
deconstructing her constructs
before they’re even subroutines
in an act of poetic/semiotic liberty
swirling identity round cyberspace

in an endless loop
tracing a track of thought
self-files corrupted by an
infinite stream of data input
she spins round the code

0110100101110000101010

 

I’m hosting MTB today at dVerse Poets Pub where we’re experimenting! Please join me.

The Harrowing of Hell, from a fourteenth century manuscript, Anonymous

The Harrowing of Hell, from a fourteenth century manuscript, Anonymous

Upon a muddied road
long lost to the noise
and bustle of everyday
inanity I came upon
a wound in the land

from the bottom
of the ever deepening pit
he winks his brightest blue eye at me:
‘nothing in the wide world,
of which you seem so attached,
has any real existence’

ontological jokes
for the squeamish

‘I’m a figment –
pigment stain
of your wall-eyed,
lolling fantasies’
dancing as he heckles
my raised hackles

‘ogling my impish
grin gets you nothing
but sin,’ whispers
‘it’s meaningless din,
for all is naught’

with nihilistic glee the
trickster jests his own
dark thoughts
rhyme, don’t rhyme
on moral principle –

even the damned
need amusement

he laughs aloud
‘what gods are left
to damn me?’

there is no purpose
in the gilding
of my golden cage
and my resentment
may be stonily wrought

I’d be devastated
but remember
his existence is
nonexistent, another
prank on my sincerity
and so merrily continue
my journey unencumbered

Written in response to Claudia’s prompt at dVerse Poets Pub to write a poem where character from a book intrudes. My character is Woland from The Master and Margarita by Mikhail Bulgakov. The title is the beginning of a poem from Eunoia by the experimental poet, Christian Bök.

Weminuche Wilderness Image Credit: David Chamberlain

Weminuche Wilderness / Image Credit: David Chamberlain

Sappho’s disastrous god
devoid of love and sorrow
wept not upon the metrons of her tragedy

His moonglow blindness
to her ornate melodies
rapturous abandon of polyphonic ecstasy

Her enduring wilderness
echoic lingering metaphors
gestalt harmony of a vision pale

Sunlit peaks preside over pulpwood coffins
effigies lit by Apollo’s fire-licked arrow
fed by the inexhaustible breath of Aeolus
burn filigreed epitaphs to her bright star

Notes: This was written for Victoria’s excellent prompt on patterns at dVerse Poets Pub. The poem makes allusions to Greek mythology, Christianity, the Weminuche Wilderness in Colorado where some of the peaks include Eolus and Sunlight mountains, poets John Keats and Sappho, and patterns in nature in its exploration of the recurring historic theme of the oppression of women and their expression. Together these allusions create connections of meaning, explicate the contrafacture and intertextuality inherent in poetics and religion/mythology, and indicate a deeper layer where we encounter the patterns that undergird the psychological entanglement we experience in our engagement with poetry, religion, and culture. It also demonstrates a pattern of themes within my own poetry.

Cenotaph

Willem De Kooning

Willem De Kooning

poems like Snyder’s lost ponies
gallop down shining sand dunes
all heat and sweat and neighing
great stallions of imagination
humbled in embodiment
in motion, huffing, striving
toward the blue-dark horizon

frenetic birds flit at the edge of sky
stencils against the thread of clouds
unable to escape the picture
painting landscapes of loss
singing songs of lament
at the walls of the white monastery

within the hobbled monk chants
breaks the night with his strange descant
there is nothing to accept
prostrate surrender of an endless ritual
rhythm chime of an inner bell

words cascade, an avalanche of lost meaning
roaring down the scarred mountain
felling ancient trees, thundering echoes
through fire-kissed meadows
gods hover at Duncan’s margins of thought
here in the hinterlands of a long forgotten tale

Redon’s Black Pegasus 1909

I ascended to Olympus moments after my violent birth at Perseus’ hand. Watching as my mother’s blood still pooled in the virile sea foam. Redon painted me black, as if every cell was kissed by the dark snakes of my mother’s Underworld. Purified by Zeus every hair and feather flashed prismatic white. I became a creature of the sky. I vowed with my first thought to be wild, unrestrained imagination in flight. My wing words would transcend the song of earth, achieving the sublime. But all this was long ago, before I saw her. She was my soul, my golden bridle, my incomparable Sappho. The music of her poetry lured me earthbound, taming me.

an imploding singularity
awash in Dionysian pleasure
counterpoint to my Apollonian spirit
she expands and contracts to infinity
in fractals of complexity
my inward vision turns
to embrace her

she arcs in spiraling parabolas
a bloom on a beautiful morning
within this vale of soul-making,
temporal and inescapable,
all must be endured
an intoxicating creative tension
birthing poetry

Redon Pegasus

Within the sphere of our epiphanal love, gentle waves broke upon feverish shores. She called me divine, beckoned me close but was overcome with feeling and fell mute, trembling. My spirit deprived her eyes of vision and my thunder overwhelmed her ears. I was the cloud bearing fruitful rain, imagination in all its real powers of elevation. I was the bridging symbol. Together we spun the synthesis of polarities with equal dignity. I vowed to bear her to the celestial heights. There, transformed to stars, our ill-fated forms would no longer cause our suffering.

as we rise she slips
caught in gravitation’s pull
heart shatters as I cannot
break her fall

fragments of her legacy
are buried in pulpwood coffins
(burned by papal decree)

the bow and the lyre
torn apart at the hands of the gods
we are forever separated

I was granted
constellation’s majesty –
from my unfathomable heights,
dream world of eternal ideas,
a lone feather falls
to anoint her earthly tomb

Pegasus 1a

bone. spirit. blood. hoof (and wing). right ascension 23 h. asterism’s geometry. points in the northern sky. declination +20°. heartbeat transmuted. Einstein’s Cross quasar (new chambers of the heart, detached). encompassed in a canopic jar (supermassive black hole). quadrant NQ4. fusion’s glory heaven’s prize. area 1121 sq. deg. (7th). creative waters vaporized (extrasolar HD 209458 b) . unity and multiplicity. depth psychology paradox. Stephan’s Quintet collides.

Notes: You can find out more about Sappho here: http://www.poets.org/poet.php/prmPID/318 and read the myth of the Pegasus at these sites: http://en.wikipedia.org/wiki/Pegasushttp://www.pegasusproducts.com/myth.html. The subtitle comes from a painting by Christopher Le Brun which is at the Tate: http://www.tate.org.uk/art/artworks/le-brun-dream-think-speak-t03454. Please join me today for my first time hosting Meeting the Bar: Critique and Craft at dVerse Poets Pub http://dversepoets.com/2012/10/04/meeting-the-bar-postmodern-prose/ today at 3ET. I’d love to see you there!

Tulipomania

Semper Augustus Tulip 17th Century Anonymous

Semper Augustus Tulip 17th Century Anonymous

infatuation is a
fat finger key punch
flash crash

value laden mishap
amidst black-box trading
high frequency lust

computer malfunctions
neurological misfires
acts of cyber-terrorism

hearts mitigate risk
installing circuit breakers
so adoration can’t slide

popping a speculative bubble
in the madness of crowds
under delusions of love
greater fool theory applies

Flash Crash 2010 (Creative Commons)

Flash Crash 2010 (Creative Commons)

Empty Frames: [ ]

degenerate art
unsanctioned
unbefitting
destroyed

ashen remnants
invisible work
painted along
history’s corridors