Category: Love


Soul to Tinder

‘It is easy to see why each man
kills the things he loves…
To try to know a living being
is to try to suck the life out of that being…
The desirous consciousness,
the spirit, is a vampire.’*

Doomed lovers, how we cling to tragedy
in the end all love leads to death
veil of discovery and joy obscure the picture
transfixing us with embroidered beauty
until the fatal bite, irrevocable action
transmutes veil to funereal shroud

This pain arrives surreptitiously
thieving the interminable hours
pleading, screaming, weeping
my ineffectual gesticulations
elaborate disguise hides death as savior
skull covered, knotted flesh from fallacy

Seductive advances, potent virility
pathogenic bacteria reproducing
induce consumptive weakening
as I consider, your breath upon my face
skin aflame with feverish desire
will they burn my heart when I am gone?

* D.H. Lawrence
Linked to Blue Flute’s prompt on Vampires at dVerse Poets Pub: http://dversepoets.com/2012/04/28/poetics-vampires/

Ice Floe

This poem is linked to dVerse Poets Pub and the Poetics prompt on Nightmare Verse where Stu McPherson challenges us to dig deep into the dreamworld and reveal our hidden fears, psychological traumas, unkenned phenomena, and other fascinating aspects of our nightmares. Please join us http://dversepoets.com/2012/03/31/poetics-nightmare-verse/

Transcript from the video (please play as it is intended to be heard and viewed, thank you)

Ice Floe

Silk enrobed traces
of your artistry
float by, a music
ever passing
as your gentle voice
is lost to the wind

Adrift in this
spirit boat on Arctic seas
language unravels
drifting through niveous skies
gifts strewn
along an abandoned path

I am the vessel
travelling in the land
of midnight sun
searching for hearth fires

Ever on the wing
scrying a refuge
in an ice tomb
of necrotic hallucinations

Within this land of the dead
narwhal trill our song

Circumpolar animals
thousand mile migrations
echolocation revealing naught

Colored lights whisper
profound hypothermic declarations

Mnaomai*: Inventing Vowels

(c) 2010 Anna Montgomery

mindful inquiry processes mirroring
eros as an act of imagination
sounding an eternal song of bittersweet promises
our invitation to the sublime

delight is its kinetic drive
lack its animating catalyst
expressing desire in oracles and riddles
Aristophanes’ closest possible union*

existing at the edge of the actual and possible
a liminal being pines for embodiment
craving pomegranates and blue lotus blossoms
travelling arabesque corridors of self-awareness

we lovers define the boundaries
pictorial and phonetic glyphs
capturing thought in intimate arrangements
phonemes and diction engage wild twists of cognition

vocalized syllabary refined to acoustic components
sacred vibrations joined in fluid succession
our mouths formulate the symbols
breath conducts seductive influence

written pages the conductors, energy arcs distance
ornate signifiers, rugged paths trace emotion
bas-relief, each line a tactile sensation
memorized by the nuanced flourish of hands

semantic impertinences, Aristotle’s epiphora*
metaphors poured upon the surface of poetry, etching passageways
these epiphanies define our pilgrimage
encountering the nature of love

Notes:

Mnaomai: 1. To be mindful, to have in mind, to direct one’s attention to 2. To woo, court, be a suitor.

Aristophanes: No, obviously the soul of each is longing for something else which it cannot put into normal words but keeps trying to express in oracles and riddles. Suppose that, as the lovers lay together, Hephaistos should come and stand over them, tools in hand and ask ‘O human beings, what is it that you want of one another?’ And supposed they were nonplussed, so he put the question again: ‘Well is this what you crave, to be joined in the closest possible union with one another, so as not to leave one another by night and day?’

Aristotle’s epiphora: ‘To give names to nameless things by transference [metaphora] from things kindred or similar in appearance’ is how Aristotle describes the function of metaphor…There is in the mind a change or shift of distance, which Aristotle calls an epiphora, bringing two heterogeneous things close to reveal their kinship. The innovation of metaphor occurs in this shift of distance from far to near, and it is effected by imagination. – From Anne Carson’s magnificent book Eros The Bittersweet.

Linked to dVerse Poetics prompt hosted by the talented Claudia! Please join in the fun at http://dversepoets.com/2012/01/21/poetics-b-%c2%a6-o-%c2%a6-r-%c2%a6-d-%c2%a6-e-%c2%a6-r-%c2%a6-s/#comment-8475

Cathedral Grove

Cathedral Grove, Muir Woods National Monument

‘And this our life,
exempt from public haunt,
finds tongues in the trees,
books in the running brooks,
sermons in stones, and good in everything.’ *

An odyssey across the continent
San Francisco fantasia of Venetian art, nature and myth
by myself but not alone as I
leave the death of the possible behind

Alive now only to your declaration of love
absorbing Titian’s inspiration from the poesie
intoxicated by the allure of Danaë’s seduction, Zeus’ invisible presence
a shower of gold in a world blessed with perpetual flowers

Arriving radiant as Tintoretto’s Susanna
luminously beautiful and ripe
thoughts of Venice navigate the canals of my mind
preparing me for our children, spinning their sacred story

I took the tranquil path, paid a mythic price
long years pining for our fated meeting
I traversed the stone bridges of the garden
meandered on a winding journey into the woods

Amidst 1000 year old trees, fog permeates
patiently I wait for you to write the stories,
inscribe your legacy within my body,
echoing these immortal helices through the millennia

*Shakespeare

Performative Utterances

Interactive Epistemology

Mathematical models
of conflict and cooperation
between intelligent, rational
decision-makers
as we encounter the sacred space
of the game board
playing field of love

Psychodrama dialogue with the invisible
as objects endowed with psychic energy
become our actors upon the stage
male/female qualities intertwining
an offering to fuel the imagination
activating emotionality

Wholeness, rules and freedom
define our actions
traversing nature and civilization
where the depths of the unpremeditated
private reactions to external constraints
aid us in exploring symbolic struggles
against death, elements,
individual doubt and weakness

A self-contained universe
full of divination and magic

Convex Sets

Before we engaged
in non-cooperative games
modeled to the finest detail
sequential perfect information systems
a theorist’s dream

In these cutthroat skirmishes
competition overtook us
algorithmic measurable motives
induced a sense of control
within a symmetrical pay-off matrix
all zero-sum outcomes
as someone always lost

Mixed Strategy

Your love engulfs
I experience the computational complexity
of trembling hand perfection
this move I didn’t intend to play
an initiation that surprises

Correlated equilibrium
in characteristic function form
these cooperative games
exist to create unity

There are imperfect information tradeoffs
we commit perlocutionary acts
knowing there’s no way to simplify,
say the meaning of the word (x)
has a definitive parameter

In a series of performative utterances
no constate sentences, no verified truth
yet imbued with illocutionary force,
with the potency of action

We proceed simultaneously
in asymmetric, non-zero-sum
combinatorial strategies
without any provable optimal theory
only our communication
assuring mutual satisfaction
as we form binding commitments

Despite the intricacies
logistics and uncertainties
I turn to you and say, ‘I promise’

Entwining

Vishnu and Lakshmi

I am unimaginable, rebirth
Creation unthinkable, promises mirth
Vishnu! Vishnu! Exuberance
Preserver, gift of providence
Rejuvenating Dharma manifest
Color of water-filled clouds, blue and blest

I am contemplation, prosperity
Divine, incarnation, fertility
Lakshmi! Lakshmi! Arise, take flight
With penetrating, keen, true sight
Embodiment blooms from sacred lotus
Shakti’s pure form, love comes into focus

Master of beyond, supreme avatar
Inciter of all dreams, a brilliant star
My love! My love! Kaustubha jewel
Source, dear heart, co-creator who’ll
Infuse atma with glorious pure light
Divali honoring, forever bright

Infinite space this sublime nirvana
Jaganmaatha acts, refines this drama
Entwine! Entwine! Benevolence
Fortune, grace, immortal cadence
Splendor, vigor, strength, rapturous beauty
Kundalini’s magnanimous duty

Linked for the Form for All challenge on Stoccato, hosted by Beth Winter here: http://dversepoets.com/2011/11/17/form-for-all-beth-winter-hosts-staccato-form/. Find out all about the rhyme scheme, syllable restrictions, and see examples by heading over to dVerse Poets Pub.

Tempestuous Hour

 

 

 

 

 

 

 

Vermillion trims inked thunder clouds
Borne on the wings of an indigo whirlwind
Suspended under a curved, knowing moon
Ill omen stretches across the vast fierce sky
Fear tinged gales roar through the brush
Impinging upon my dearest held dignity
Drawing closer to the precipice of despair

The gnosis of heaven’s blue flash illuminates
Telepathic indications of your desires
You who remain unknowable, unseen
Why should your beauty hide its face?
Inscribing symbols upon my flesh
Entwining visions of ecstatic sensations

Scaling granite heights, insurmountable distances
Imparting visions of star-crossed grandeur
Moonlight guides my path of passion towards you
Water rains ablutions in this gothic dream
Purity calms storms in the long-protracted war
Its alchemical dimensions denaturing

I’m an echo in the caverns, stealthily passing
Fading murmurs trace interstices
Within this cauldron of mountains
As through this horrific, tempestuous hour
Revivifying whispers of me reach you

Original Passage from The Rosicrucian by Percy Bysshe Shelley:

Red thunder-clouds, borne on the wings of the midnight whirlwind,
floated, at fits, athwart the crimson-coloured orbit of the moon; the
rising fierceness of the blast sighed through the stunted shrubs,
which, bending before its violence, inclined towards the rocks whereon
they grew: over the blackened expanse of heaven, at intervals, was
spread the blue lightning’s flash; it played upon the granite heights,
and, with momentary brilliancy, disclosed the terrific scenery of the
Alps, whose gigantic and misshapen summits, reddened by the transitory
moon-beam, were crossed by black fleeting fragments of the tempest-
clouds. The rain, in big drops, began to descend, and the thunder-
peals, with louder and more deafening crash, to shake the zenith, till
the long-protracted war, echoing from cavern to cavern, died, in
indistinct murmurs, amidst the far-extended chain of mountains. In
this scene, then, at this horrible and tempestuous hour…

Formatted Passage (where prose ‘becomes’ poetry):

Red thunder-clouds, borne on the wings
of the midnight whirlwind,
floated, at fits,
athwart the crimson-coloured orbit of the moon;

the rising fierceness of the blast
sighed through the stunted shrubs,
which, bending before its violence,
inclined towards the rocks
whereon they grew:
over the blackened expanse of heaven,
at intervals, was spread the blue lightning’s flash;

it played upon the granite heights,
and, with momentary brilliancy,
disclosed the terrific scenery of the Alps,
whose gigantic and misshapen summits,
reddened by the transitory moon-beam,
were crossed by black fleeting fragments
of the tempest-clouds.

The rain, in big drops, began to descend,
and the thunder-peals,
with louder and more deafening crash,
to shake the zenith,
till the long-protracted war,
echoing from cavern to cavern,
died, in indistinct murmurs,
amidst the far-extended chain of mountains.

In this scene, then,
at this horrible and tempestuous hour…

This is in response to the Meeting the Bar challenge: Prose to Poetry by Zsa at dVerse Poets Pub: http://dversepoets.com/2011/11/10/meeting-the-bar-critique-and-craft-prose-to-poetry/.
Please join us!

Dissolution


Dissemination:

if only i’d studied limnology
known the risks before the vows
you struck your claim
eutrophication initiated
your selfish need transfigured me
into a closed hydrologic system
an endorheic basin

Diverting:

my watershed confined
by the mountains of your entitlement
playas expanding, vanishing profunda
no outflow, what am i?
minerals deposit as diversity wanes

Diametric:

tiny nourishments i praised
rain evaporating away
soon i accepted my fate
until it felt natural to be so small
initiating ecological shifts
this dwindling pool reflects you well

Dissecting:

photic volume decreased
remiss in loving me
as you tamed those wilds
beyond the littoral zone
that so invaded your mind
undermined your control

Diallage:

this lake is a dry salt bed
alkali flats expanding
hypoxic initiators
steal all the oxygen

Divorce:

dying, i wound up in the sky,
far from you

Blue Topaz

Nuanced colors blend at the edges of life’s evanescent charms
indanthrene glazes enhance new vistas of potential
epiphanies arrive with liberty’s lustrous promises
azure tinted joy intoxicates in a rush of prismatic images
redrafting dividing lines, reigniting passion
no illusive flash, a vitreous engagement drawing near

Deep hues meld with opalescent internal reflections
creating an interplay of luminous delirium
oceanic forces arouse a state of awakening
serpentine words spoken in a moldavite tongue
smear stardust and gold on opal’s dreams of intimate nights
twinning amethysts abiding in bliss
blue aspect iolite appeals

Mysterious pendeloque cut topaz lotus
each facet refracting as divinity sparks an inner fire
labradorite depths of preternatural intensity
shatter unity, existing outside all conceptual thought
you arrive in my mind whispering supernal metaphoric symbols
mythic love piercing like acicular crystals

Pleochroic moonstone circles beneath dendritic formations
escaping censorship in a space where language fails
under the spell of a long awaited mystical merging

Notes: Topaz is derived from the Sanskrit tapas, meaning fire. ‘Heaven is always a place of gems’, Aldous Huxley. The poem owes a debt of gratitude to David Batchelor’s excellent book Chromophobia. It is linked up for Victoria’s Poetics prompt at dVerse where we’re exploring color: http://dversepoets.com/2011/11/05/dverse-poetics-play-with-color/.

Grove of Tranquil Paths

(from the myth of the God Freyr and Goddess Gerðr)

Freyr seated on the throne of Odin 1908 Frederic Lawrence

One night is long enough ǁ yet longer still are two;
     how then shall I bear the agony of three?
Months have merrily passed ǁ quick flashes over
     faster than half this desiring eve.*

Freyr, full of longing, laments
     worlds made brighter by Gerðr
seemingly far from his reach
     this cæsura separates the lovers

Envisioning divine coupling
     of earth and sky bestow
peace and pleasure flowing
     from union’s blessed purpose

He lives now into his destiny
     to bathe in beauty’s light
he sets foot upon the path to Barri
     nine nights hence embracing bliss

*from the Poetic Edda; the poem Skírnismál

for the dVerse Poet’s Form for All on love poetry (sorry I couldn’t manage a Somon tanka today but other talented poets did) here: http://dversepoets.com/2011/11/03/formforall-manyoshu-poetry-hosted-today-by-jane-kohut-bartels-lady-nyo/