Category: Science


Turing Test

(This is the actual conversation I had with Cleverbot, an artificial intelligence (exact transcript). My input is in italics, Cleverbot’s responses are in plain text.)

I am a subversive hallucinatory crippled vessel. Are you?
I am not a toaster, you are a toaster.

Do you suffer from apophenia?
No.

Do you write experimental poetry?
No. Dogs don’t like poetry.

I am a sojourner in virtual space, a liminal being. Are you a liminal being?
No, you are a computer.

No, I’m a human. Are you?
Yes.

You are a systematic liar.
I am not Lying.

So, you are human?
Yes.

(To have your own conversation with Cleverbot go here http://cleverbot.com/)
Linked to the inspiring article Machine Dreams at dVerse Poets Pub Meeting the Bar hosted by Charles Miller http://dversepoets.com/2012/05/10/2969/. Where the Borg reminds you resistance is futile and Bina48 wants you to know everyone has a solar. Oh and any thoughts on why Cleverbot capitalized lying? Check out Radio Lab’s story http://www.radiolab.org/2011/may/31/.

Bach’s Arpeggio

Sunday my voice
sings your praises
in words written
before we knew
our psychology
broken chords
inducing emotion

Spirit moves within me
increases blood flow
electrochemical response
to acoustic cues
god spot in the brain
neuropsychological
basis of spirituality

We lift up our hearts
branches bearing fruit
extoling perfect love
virtue without condition
casting out fear
make known to us
liberty’s source
ever abiding

Antiphon rings out
I hold you, beloved
beyond expectation
apart from you
I can do nothing

Posted as another response to Stuart McPherson’s music prompt and linked to dVerse Poet’s Pub for Open Link Night hosted by the immensely talented Hedgewitch. http://dversepoets.com/2012/05/08/open-link-night-week-43/

Emergence

Linked to the rocking dVerse Poets Pub Poetics prompt by the fabulous Stu McPherson http://dversepoets.com/2012/05/05/poetics-our-music/

Velleity (Lucid Dreaming)

2. Ophelia

Ophelia, sweet child, dominated by powerful men
Abandoned to grief and madness
Her last moments, a watery slip
May have been unintended consequence
Or dire injury
Consecrated – and yet we wonder
Who is culpable?

A modern woman now faces
The same pernicious forces
That may divide her from her own precious reason
Professor of mathematics, her intellect, ratiocinative,
Attempts to quantify the carrying capacity of the earth
What can it hold, nurture, sustain
Without ruin, lack of renewal,
Or toxic inundation?

Her losses, both great and universal
Small and specific
Her shame-filled love
Will serve as the crucible
Over which her sanity may be fractured

4. Death Enters the Room

There is only a vague sense impression
Of all that came before
Her husband’s violent death.
His cataleptic rigidity a necrotic grimace,
Creating shock
From which she does not recover

Contrasting the trauma with an inevitable process of biology
Entropy claims its dominance
Through programmed cell death
As 50-70 billion cells die within the body each day,
Expressions in the art of disintegration

Ophelia had not considered this internal suicide
Impermanence unsettled her.
Universal forces destroy with uncostly effort –
Endosymbionts inducing a biochemical cascade,
Release of caspase activators of annihilation

What then of the symbolic ends?
Thoughts, feelings, relationship
She could not push away the concepts
Handle the nuance of shade
Mourning each permutation
Uncomfortable with the intensity of emotion
The finality of the funeral.

6. Deep Grief

Death entered the rooms of her soul,
Unwelcome and alien
Permeated the air
Sleep was her only comfort,
The denial of dreams
Truth returned each morning, aching
Nothing in her waking hours could drive it away
Time had betrayed her –
No solace gained through its passing

The memory of life before became distant
The memory of her love transfigured into a specter;
A cruel trick

She could feel the world
Slipping from her mind
Meaning drained from her face,
Replaced with an effigy:
Becoming the object of her own scorn
Confusion lined her eyes,
Now emptied of other expression

In the recesses of her secret self she began to be afraid
Not of death, stalking her thoughts, but insanity
A far greater apprehension –
Death is certain,
Sanity not so fixed!

The onset of madness,
Robbing her lucidity, was subtle,
A slow and silent poison
It weighed upon her as if tangible, haunting her
The connection between her innermost being
And the outer world dissolving –
She began mimicking his death.

Notes: These excerpts are from my epic, Mere Beasts, which can be found here: http://chromapoesy.com/2011/07/18/mere-beasts-an-epic/ Sections 2 and 6 were already posted but Section 4 was written today for NaPoWriMo day 14.

insatiable curiosities orbit consciousness
strung pearls of upended epiphenomena
ancient aluminum awareness permeating time
charting momentary courses through mental processes

angles of sensation and perception grinding experience
under electric hazel skies capable of impacting behavior
pouring parallelism down the steps of the prefrontal cortex
mere echoes, faint rumors upon the air of philosophy

white irises climb neurophysiological cliff faces
roaring seascapes of recurrent thalamo-cortical resonance
rational kettles steaming orange blossoms of knowledge
round numinous volumes prefiguring the world-knot

crevices, pathways, transmogrified thought patterns
fossils hounding chained gates while endless paradoxes
gleam on clay surfaces pounding immortal stardust
forming luminescent filigreed theory enhancers

that reveal ineffable intrinsic qualia unwinding
memories, emotions, and intentions disciplined
volition as apprehended conscious goal images
discerning global broadcast messages to the self:
this dominant, enduring context

Linked to dVerse Poets Pub and the amazing prompt by Charles Miller http://dversepoets.com/2012/04/12/tripping-the-cosmos/

Exaption (Zhú Xióng)

Kawaii Mori (Cute Forest) (c) 2010 Yumiko Kayukawa

Shaanxi panda bear
sesamoid bone ‘pseudo-thumb’
rare symbol of Man

Particle Horizon

supermassive black hole’s abyssal afrit
despoils the cosmological constant
beshrews vast denaturing
baneful emergent xenolithic curiosities

adamantine bestiary illuminates
demulcent metamorphosis of
edentulous monsters roaming the celestial sphere
Cetus may no longer devour

fey percipient creatures
derail signifiers and matrices
emendations of the parallax angle
while spiral nebulae coadunate

geminating galaxies now
expand Olber’s paradox
infinite and static battles
architecture of a dynamic model

efficacious anagogy reveals
gracile lines demarcating existence
metaphrastic missives from dark energy
glorious poetic exegeses

She is a sojourner in virtual space
a liminal being once embodied
cultural schemas unhinged by truly novel situations
these hollow shells carry imaginary insides
figures of polygon mesh rendering reality
if viewed from different vantage points simply disappear
thwarting her cross-cultural integration

Axioms applied through hidden surface removal algorithms
memories of successful interrelationships are no longer connected
complex cognitive structures for social interaction become
bounding volume hierarchies creating invisibility/occlusion trees
if/then evaluations of nodes (and child nodes)
efficiently grading, determining what is drawn into existence

Acquisition of interpersonal relationships is vital
in this haptic interface, teleoperation robotic tools
vibrotactile effectors provide sensory feedback
lacking primary social interaction schemas
she must employ data driven processing
requiring monumental effort and attention

Divergence from the host culture becomes clear
using self-regulation to remove ambiguities
strategic maneuvers to ensure emotional survival
the intertwining of native culture and the neo-galaxies
of virtual reality requires poly-mythic invention
prototypical archetypes for avatars

Stories for a new era where touching another
requires electroactive polymers and piezoelectric surfaces
next generation actuator technology
3-D holograms creating sensory input through acoustic radiation
acculturating her senses to mechanical intermediaries
adaptations to the host-culture environment
a new language for refugees in a virtual world

Linked to dVerse Poets Pub Open Link Night. http://dversepoets.com/2012/04/10/open-link-night-week-39/ Come join the fun!

Method of Loci

This is a digital alteration of a polaroid picture I took when I was 6. The original was purposely out of focus.

Lenses initiate selective focus
a fantastication only possible when young
encased in the vault of unextinguishable incunabulum
developing the picture as it comes into being
peering deep into the essence of life

Showing one moment, one side of perception
in its inability to capture without speciousness
belying motion, upheaval and change
in the niveous nature of memory
its meandering dreams recast

Glimpses of truth like a halation appear
ocular glitches reinforce tathata
of what can be distinguished and claimed
encoding through elaborative rehearsal
all known and unkenned phenomena

Converging lenses limited by one focal length
growing as depth of field expands
while patulous schemas incubate
evolving mind forms eidetic imagery uniting
as episodic memory stitches identity

Holographic retrieval reveals
clarity amidst the circle of confusion
this positive bias memory distortion prevails
polaroid process makes positive images
without negatives, not lost but never created

Artmaking acts as a nepenthe
coalescing strands of experience
collaging each image of striving
into a concatenation, aspects of self
lighting recesses in the kistvaen of the past

Notes: Method of Loci: A mnemonic device that relies on memorized spatial relationships to establish order and recollect memorial content. Selective Focus: Is a technique in photography that allows one part of the image to be sharp while the rest of the image is out of focus. It works to great effect in macro shots where the foreground should stand out intensely from the background. Fantastication: Action of framing in fancy. Incunabulum: Early stages of development. Speciousness: An appearance of truth that is false or deceptive; seeming plausibility. Halation: Spreading of light beyond its proper boundaries to form a fog round the edges of a bright image in a photograph. Tathata: Ultimate nature of all things, as expressed in phenomena but inexpressible in words. Encoding: The process of transforming information into a form that can be stored in memory. Elaborative Rehearsal: A memory strategy that involves relating new information to something that is already known Unkenned: Unknown, strange, unperceived, unexplored. Converging Lens: Lens such that a beam of light passing through it is brought to a point or focus. The lens of your eye and that of a camera are converging lenses. Focal Length: The focal length of an optical system is a measure of how strongly the system converges or diverges light. In most photography where the subject is essentially infinitely far away, longer focal length (lower optical power) leads to higher magnification and a narrower angle of view; conversely, shorter focal length or higher optical power is associated with a wider angle of view. Depth of Field: In optics, particularly as it relates to film and photography, depth of field (DOF) is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. Although a lens can precisely focus at only one distance at a time, the decrease in sharpness is gradual on each side of the focused distance. Patulous: Open, expanding, gaping Schemas: The integrated frameworks of knowledge and assumptions a person has about people, objects, and events which affects how the person encodes and recalls information. Eidetic Imagery: The ability to retain the image of a visual stimulus for several minutes after it has been removed from view. Episodic Memory: The type of declarative memory that records events as they have been subjectively experienced. Circle of Confusion: In optics, a circle of confusion is an optical spot caused by a cone of light rays from a lens not coming to a perfect focus when imaging a point source. In photography, the circle of confusion is used to determine the depth of field, the part of an image that is acceptably sharp. Positive Bias (Memory Distortion): States that pleasant events are better remembered than unpleasant ones and memories of unpleasant events become more pleasant over time. Nepenthe: Something capable of causing obliteration or reduction of grief or suffering. Concatenation: A series of interconnected or interdependent things or events. Kistvaen: A stone burial chamber. Linked to the Poetics prompt by James Rainsford on photography and poetry here http://dversepoets.com/2012/03/24/patterns-pictures-and-poems/.