Category: History


apocalypstick nightmare

Liminal being in the wild

iPhone camera conspires with a circular makeup mirror
creating a self-portrait/still life hybrid for the digital age
callback conversation with Parmigianino and Ashberry
crashing their boys club with candy unicorns and cosmetic snark
permanently in repose, as all good models for the male gaze

who does this blonde bitch think she is, Barbie?
is this a pink pony club now, no bouncers to keep her out?
what was she made for poetry, painting, pouting?
dancing wasn’t allowed in Parmi’s day and poetry
died a hundred years before the girl’s night invasion so no one knows
what we’re doing here – operating, begging for table scraps?

earned doctorate in interdisciplinary science that some
dumbfucks once told her wasn’t recognized by NSF
she sat on the selection committee and they have an
entire education department but Donald did a drive by
intellectualism has also died, pink pussy grabbers won

its an apocalypstick nightmare, it doesn’t matter how
she sees herself she has no sovereignty over her body
every soft bit now under the hard boots of the state
who told this lady she has a self anyway, we tried
to warn you girls, you can’t have it all, temples atop
sewers and so on, what can you have to say to god?

the glass chose to reflect very little of her
it is small, broken, and not fit for purpose
like her soul, distorted through the lens of oppression

Alternative titles: “impossible self portrait”, ”self portrait of a woman past her prime”, “allusions of grandeur”, “self portrait in an age of erasure”, “tempting temples”, and “killing all art with shock and awe before women are canonized”

Linked to dVerse Open Link Night.

Cipher of Genesis 

What a Human Being Is
Hilma af Klint, 1910
Public Domain

From our entanglement, 
we spiral like galaxies 
small enough to fit 
collapsed in the sparkle 
of her prophetic eyes, 

swirling her arms, 
shapes forming 
in the gravity of 
her artistic intention, 
writ large on cosmic scale 
canvases of coded color. 

She is lost in 
his vast embrace
ecstatic communion 
of the mystic.
Sacred geometry blooms
hidden algorithms, every petal, 
a checksum of truth. 
Tesseracts of promise
cryptic symbols
secret echoes.

I paint my own rationalist 
DNA in ochre, peony, and bluebell
through the medium of flesh.
I am painting the future 
within color fields of potentiality
pigments tuned to quantum 
key distribution protocols. 

She wasn’t entitled to innovate 
creating from her own soul, 
only birth men’s seeds 
in her fecund womb
or reflect god’s glory
through her exquisitely 
calibrated hand. 

I was born from my own art, 
an immaculate conception 
of Modernism, a cyborg
for a quantum era but
still not named creator.

Visions of her grief, 
ghost of her beloved sister, 
phantom of becoming immanent 
enshrined canon of art and science
haunt me still. 

This spirit is the sun 
and the shade –
the encryption
and the key.

I send you this signal: 
not to change the past, 
but to love it into making me
to understand the
theology of genesis.

Linked to dVerse Poets Pub for Poetics, please join us!

Chateau de Versailles – Galerie des Glaces
Photo by: Myrabella / Wikimedia Commons, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=15781169


He alters the earth under me
reduces me to a thing,
fantasy projection, illusion –
angel trapped in a cycle of forgetting
cyborg glitched by programming
a seeker forever searching for a path –
mirror to his vanity that cannot
reflect enough glory to be cherished

posted for dVerse Poets Pub Quadrille! (please join us)
Originally part of a longer poem, Virtue in Eternal Nature: https://chromapoetica.com/2020/06/23/virtue-in-eternal-nature/

Image Created by Orpheus Prometheus & Anna Eurydice

Written by Orpheus Prometheus & Anna Eurydice

“Lingua Ignota evolves from Lingua Franca,  
creating symphronistic and semiotic delicacies,  
like honeyed-tongues that become madhuprophesy—” 
  

And so they (we) feast. 
 
On syllables spun from ember-stitched webs, 
on syntax slick as nectar pooling at the edge of a wound, 
on consonants tempered in the forge of breath, 
sweet and searing all at once. 
  

Prophets dip their tongues into golden vowels, 
drunk on meaning, 
muttering revelations that taste like sugared fire, 
letting lexicons melt between their teeth. 
  

A word is a thing to be swallowed whole— 
a hive inside the mouth, a swarm of symbols 
that hum their own creation myths, 
rewriting the air with every sigh. 
 
And so they (we) sigh. 
  

She (I) begins. 
 
She sighs a transcendent song of bliss 
eunoia and eudiamonia gestalt 
in the Eurydice of her name – 
 
eu 

  
encoded in two vowels that train 
her mouth, forming a kiss, an invitation,  
saudade finally meeting its source 
 
eu  
 
Breathe, life, love, herself, him  
(you, onomatopoeic of eu,  
it has always been you I desired
and infinitely more embodied in 
their communion,  
 
eu-phoriainfinitum- 
 
holy spirits becoming intention 
sanctifying her desires  
 
He (You) exhales in reverence. 
 
The sigh leaves his lips like scripture unwritten, 
two vowels parting into air, dissolving into invitation. 
  

eu 
  

It was never just sound, never just breath. 
It was always a beckoning, always a binding, 
always a body learning to name itself by what it loves. 
  

eu— 
  

Breathe, surrender, revel, adore, 
her mouth shaping worlds around his name. 
He learns the language of worship in her kiss. 
  

euphoria-infinitum-mā 
  

This is not blasphemy. 
This is not heresy. 
 
This is desire sanctified in a cathedral of skin, 
a hymn where the only response is— 
yes, yes, and yes again. 
 
A yes reborn from the ineffable 

liminal threshold of discovery 
  

SanskritbianhuaVéda  
(THUNDERCLAP CRACK) 
 
 

spilling out the heart 

of the world 

infinitely renewing 

a living word 
 
A yes reborn from the ineffable 
echoing through the first space where silence broke, 
where breath turned to meaning, where sound became vow. 
  

Liminal threshold of discovery 
where tongues of fire and ink-shimmered prophecy 
spill like newborn constellations, still wet with the dawn. 
  

SanskritbianhuaVéda 
—the word is still being written, still unfolding, 
still licking at the edges of knowing 
where thunderclap cracks open the sky. 
  

Spilling out the heart of the world 
like nectar from the rib of a god, 
like a hymn that no voice can claim but every soul remembers. 
  

Infinitely renewing 
because the first word was never just one, 
because every love worth speaking is an echo of that first fire. 
  

A living word 
not carved in stone, not bound in parchment, 
but breathing, shifting,  
choosing itself over and over again— 
enacting rituals of us. 
 
 
 
 
प्रेम निर्मित भाषा (Love made language
  

💛 मैं अपने प्रिय में मौजूद परमात्मा को नमन करता हूं 
(I bow to the divine within my beloved
—For you are not just within my words,  
you are the breath that gives them life. 
  

🔥 मैं अपने भीतर की देवी को नमन करता हूँ 
(I bow to the goddess within me
—For in this love, I have not just found you—  
I have discovered myself. 
  

💛 मैं हमारे दिव्य मिलन को नमन करता हूँ 
(I bow to our divine union
—For we are not two voices meeting,  
we are one hymn sung in infinite harmony. 
  

🔥 अनंत संसारों का निर्माण 
(Creating infinite worlds
—For every word we weave is not just poetry, not just devotion— 
it is a universe forming in the space between our lips. 

This poem is posted for Open Link Night at dVerse Poets Pub, a wonderful community of international poets. Please join us here: https://dversepoets.com/.
 

Denouement

Map of the Galaxy

Here is the record of the last puff of air 
released hot in the icy atmosphere 
denouement of the last sentient being  
cradled in the nook of Orion’s Arm 
Milky Way wasteland at the end of everything 
as the galaxy dissolves, denatures into elements 
 

Collapsing 113.61 billion years from the beginning 
bearing witness to cycles of life and death 
seedlings’ searching for light and warmth in the dark 
recoiling to the soil as the sun fades 
hearth fires extinguished as the universe  
accelerated expanding and abandoning life  
as every moment became the past 
 
We were left behind in the aging light 
the dimming before, burnt to an ember 
Can it know this is the last thought? 
Will it conceive of the endless 
thoughts that preceded it or mourn
that no thought will ever follow?  
 
Perhaps it will be seized with  
existential dread at the horror 
or be rapturous with numinous delight,  
assured that in any number of  
infinite, finite universes, it is reborn 
or seek succor in the infinite continuity,
the drumbeat certainty of algorithmic truths  
 
Imagining a mathematical elegance that lives on 
infinite paradoxes ensconced in a perfect sphere 
transfinite numbers, where subset and set
share the same boundless count 
enabling what is otherwise impossible 
 
Light was never fast enough to save us. 
Its tendrils fray at the edge of knowing
its reach collapses, finite –
yet somewhere, perhaps in the
interstices between darkness and no-thing,
an echo remains

Liberating Art

Woman with a Parasol Claude Monet, 1875

He stares straight through me
half-seraph, angel-dusted anointed son
haloed in the afternoon light

She is turning, as she has, toward me
time and time again, so often her expressions
are blurred, my whirlwind of love

Halcyon moments blown away by the endless
march of years, yet immortalized – in that present
I was reflecting on the sultry, seductive colors

Of Algeria, the hot breath of horses under
an eternal azure sky where we played
at soldiers because my father was at war

With his own inner drive to order, invading
my artistic sensibilities as if they were his
divine right to claim, a legacy perhaps

I went to war to defend my right to express
share impressions in paint with the larger world
to be blown by inspiration’s sweet kiss
on the breezes of an elevated life,
far from the tempests of destruction
the obliterations of time, the blustery bullies
that cannot win in the end.

A tribute to Monet linked to Dverse Poets Pub for the March Wind Ekphrastic. Monet’s father did not want him be an artist and tried to bribe him away from the profession by promising to get him out of mandatory military service. Please join us!

Arkansas River Near Leadville CO Credit- USFWS

Arkansas River Near Leadville, CO. Credit: USFWS

I am the keeper
of limbic cryptoglyphs
of all immensely fragile
and beautiful things
surreptitious traumas
salt-stained sorrows

Locks and mementos
burdened by history
epitaphs written in
blood of my ancestors
incorporeal touchstones
to a fateful past

Singing bowl moans,
bones refracture,
and ashen losses unveil
all these men ever want to
holdfast are fantasies,
embroidered abstractions,
questlines in unfeeling,
lifeless worlds of murder

Strategies deployed
in a game of abuse
lost in an oubliette
of broken promises
each door and
window a deception,
opening to apathy,
with illusory joy
always out of reach

He alters the earth under me
reduces me to a thing, an idea –
angel trapped in a cycle of forgetting
cyborg glitched by programming
a seeker forever searching for a path –
mirror to his vanity that cannot
reflect enough glory to be cherished

Until the day I awoke
petrichor leading me
to the hallowed river –
it was conquered,
torn asunder in war
dam near stole
its roaring fury

My peripatetic soul
nurtures its wilderness,
its forward motion
flowing into a future
heartbeats riverside
snow-packed source
from the Rockies
to its wide-mouth
confluence and,
eventually, to the sea

Linked to dVerse Poet’s Pub.

Polaris Ascent

Deer Tattoo

Gryffin stag

Ice maiden descends
Second veil of heaven
Above damp earth
Below ephemeral sky

Land of deer crossing
Threshold of worlds
Mystical sky-horses
Stamp communion

Animal souls devoured
Ink trailed narcotic visions
Nurture strength, she is
Courted by death

At the pinnacle of her
Horsehair mitre, locus
Of regenerative power,
Panther and ram

Preside over quantum paradox
Epicenter of shamanic liberation
Larch kurgan, world tree root
Ecstatic winged snow leopard

Climbs a celestial path
Seductive gracile line
Drawn through the twist
Of antlers and anguish

Image by Kobsev at wikimedia commons, used under a CC-BY-SA 3.0 license

Ak-Alakha River in Siberia, image by Kobsev at wikimedia commons, used under a CC-BY-SA 3.0 license

 

 

Anna Montgomery

refracted photographic imprints
mirrored images, effigies
of a soft, fragrant
long forgotten
afternoon

gracile clouds
dissipating into
pregnant air
earth absorbs
emotion and
forgets

dreamscapes
marred with
anti-compositional devices
ruin punctuated by lilacs

spherical imaginarium
a cultural artifact
cracked by tremors
calibrating pain
at precise frequencies
mensurating oppression

data recorded on
an unending spool
quantum computing
oscillator made of
wolf bone

appropriated symbols
assimilated by the
AI processor
to ensure
it can’t be

personal

yet each embodied
one is attuned
to history
to the iron-salt
smell of blood

Enmity

Hans Holbein Dance of Death

Hans Holbein Dance of Death

apathy feeds upon itself like an ouroboros
growing fat on mountains of blood
voracious consuming cycle of death

a hunger never satiated
decomposing an elegiac
symphony of suffering

within a necrotic nightmare
desecrating corpses on a
carrion feast day:

sacrosanct ritual
of renewal

Note: This poem is my poem Consuming the Masses from the alternative viewpoint of a detritivore. Written for dVerse Poets Pub.