van Gogh paints stars on the interior of a hadron collider,
excitation modes divining the luminous day of the psyche,
ebullience of the creative moment as comets seed the earth

kaleidoscopic supersymmetry unveils strange loops,
circumscribed by the calm intelligibility of science
model agnosticism engulfs with purifying fire

in the ascetic refuge of an enchanted forest, imaginarium of enlightenment,
crystalline structures of specificity hide the occlusions of the unconscious,
chaotic clouds of information growing exponentially

Usha’s bifurcated tongue spreads duality across the canvas of the mind
sand shifting at the garden’s gate, encoding cryptic messages,
erosive ablutions upon the glittering souls of the dead

across the deep shaded valley starling calls and falcon cries unite
imploding singularity awash in Dionysian pleasure amidst an Apollonian
atmosphere, contrasting Wittgenstein’s necessary silence

Huysum’s flowers scry an ecstatic love, impulses flashing
like jewel inlaid symbols of eternity, cartography of virtuosic ambiguity,
as Richter explicates tragic materiality or sublime interiority

within this vale of soul-making, temporal and inescapable,
poetry’s fountain, a thousand headed hydra, reanimates and reclaims
Renoir’s river runs as the round world spins, days end and the end begins

in this elusive and fragile bubble replete with elaborate honeybee dances
Magritte’s surreal apple exists in its listening room
immortally intoxicated with the mystic universe