In deep hypnosis the subject,
military or civilian,
can be given a message to be
delivered to say Colonel X in Berlin.
I found myself somewhere
at the edge of the known earth
in an age when there is nowhere left to hide
for you it was always a game
you never think I remember
but the blunt force trauma
entered my mind all twisted,
as a matter of survival
The subject may then be sent to Berlin
on any perfectly routine assignment.
The message will be perfectly safe
and will be delivered to the proper person because…
Your missive arrives
in that cryptographic mind
geography’s incomprehensibility
impossible to decipher
a one-time pad on a sheet of nitrocellulose
it burns instantaneously, leaving small ash
a. the subject will have no memory whatsoever
in the waking state as to the nature
and contents of the message.
A truly random sequence of letters
trick of modular addition
only I got lost in the ciphertext
mistaking it for meaning
meta-language to transcend what came before
b. it can be arranged that the subject
will have no knowledge of ever
having been hypnotized.
A tortuous inculcation
using proximity and shame
more like a rearrangement
an anagram, a twisted joke
c. it can be arranged that no one
beside Colonel X in Berlin
can hypnotize the subject
and recover the message.
A spiritual starving
that hollows me out from the inside
even after all this time
with this great distance
it is a violence that wrenches free
dissociates, disembodies, a disease
He will never under any circumstances
by a slip of the tongue divulge the true nature
of his mission for the very simple reason
that he has no conscious knowledge of
what that mission may be. He is merely
going on a routine replacement…
This will be his story and the story which he believes.
A priori probability is equivocated to
a posteriori where the entropy of plaintext
equals the conditional entropy
of the plaintext given in the ciphertext C
you’ll begin to see where I derailed the equation
Secondly, if by any chance he is picked up
through a leakage of information from other sources
the message is safe. No amount of third degree
tactics can pry it loose, for he simply does not
have it in his conscious mind.
All that I have is this legacy of ashes
an unbreakable code
shielding you from your crimes
infinite computing no adversary
for the tangled traumas obscured in my mind
A specific counterintelligence technique
could be used against enemy agents…
I will take a number of men and will establish
in them through the use of hypnotism
the condition of split personality.
In a conventional symmetric encryption algorithm
complex patterns of substitutions and transpositions
these places dance to orient me to the key
I begin to see the risks
Consciously they will be ardent Communists,
fanatical adherents to the party line,
ready and eager to submit to any discipline
which the party may prescribe. Unconsciously
they will be loyal Americans just as grimly
determined to thwart the Communists
at every turn in the road.
Data remanence is such a continual problem
simplest overwrite technique
write the same data everywhere
(often just a pattern of zeros)
a way to be nothing/nullify feeling
This sounds unbelievable,
but I assure you it will work.
Poetry is a cipher but it isn’t known whether
there’s a cryptanalytic procedure
which can reverse these transmutations
mathematics may be my undoing
While I’m mourning what cannot be recovered
security continually assures me that this technique
is proven to provide the perfect secrecy
Your hypothetical counter spy…
will not disclose his true role for the very simple reason
that he cannot… if through some leakage,
he is suspected of being an informer
his true role is safely guarded,
locked inside the unconscious and impervious
to all assaults from the outside.
* Italicized text taken directly from a declassified CIA document dated June 22, 1954. The poem is a rewrite of my own Perfect Secrecy. Linked to dVerse Poets Pub Meeting the Bar prompt ‘What’s the Buzz’ http://dversepoets.com/2012/07/05/whats-the-buzz/
What an immensely satisfying, enjoyable read, on so many levels: sci-fi, moral, aesthetic. The parts interrelate subjective/objective in a musical way, counter pointing each other grandly. For me, this is what Orwell meant when he said all art is propaganda. Great stuff!
The poem was initially a sci-fi character persona poem that I thought would fit the prompt when I found the CIA memo today. I also thought about using the ‘family jewels’ document but didn’t want to delve into its 700+ pages :). It was a fun process and a great prompt, thanks!
I absolutely love this, the creativity you bring to it is remarkable. My favorite piece:
Poetry is a cipher but it isn’t known whether
there’s a cryptanalytic procedure
which can reverse these transmutations
mathematics may be my undoing
All in all, a most excellent write. As an old cold warrior myself (1970’s era), as I read, I also enjoyed a quaint nostalgia remembering the breadth and naivety of the 50’s. We have learned since, for instance, that hypnotism doesn’t really work, that in fact it’s amazingly easy to ‘inoculate’ anyone against hypnotism with one simple exercise. Even with a cooperative subject (hypnotism for smoking cessation, for instance) it rarely produces any long-lasting independent effect, making double-blind messengers or ‘manchurian candidates’ strictly a fiction. But, like so many fictions we enjoy (think time travel) it is a fascinating fiction, and so well accessed here. The incorporation of the declassified memo (which I’m guessing inspired the poem) into a kind of frame poem is fantastically well done. As usual, Anna, I am totally impressed by your result!
Thanks Steve, this is an awesome comment! I loved the contrast between the certainty of the speaker in the memo and the absurdity of his assertions and thought it would invoke that naïveté as you so well put it. The architecture of the piece was enjoyable to assemble, wonderful to hear that translated into something worth reading.
Oh absolutely, you really did a superb job with this–I hope it garners a wide circulation.
Thanks Steve, maybe I’m doing something right with this poetry writing thing :).
conventional symmetric encryption algorithm
complex patterns of substitutions and transpositions
these places dance to orient me to the key
I like the mathematical language of this, Anna! Impressive writing!
Thank you, I enjoyed researching the math for the original piece through a book and series of articles on cryptography.
You’re welcome, Anna! This poem was very informing…I felt my brain cells stirring! 🙂
I am frequently guilty of that. 🙂
Too funny!! I’m learning that of you!
Seriously, thank you for ‘stirring’ instead of accusing me of causing brain damage (that’s a more common complaint :)).
Lol!! I love that…it must take a great deal of time to compose with such attention to detail and facts…I’ve written a few that bring in fact and there’s always that back-burner feeling of “am I getting my facts straight!” So kudos to you for the efforts brain damage or not!! 🙂
Aw, thanks!
I think if we knew half of what they (secret service) and such do in secret, we’d be very afraid. We know so much of what goes on but, I think if we knew more we’d never sleep at night. Very deep and intricate thinking in this Anna.
You always amaze me.
I’ve read Legacy of Ashes by Tim Weiner (a history of the CIA) and I agree, I was very afraid.
Intricate and deep thinking is a beautiful compliment, how kind of you to say!
Reminds me of the Manchurian Candidate which embedded an action rather than a message. Loved both versions. And it reminds me of Plato’s Republic which specifically outlawed poetry and anything I am astonished and afraid of the extent to which our military science is willing to experiment and the secrets we all need so much protection from! Your poem intensifies these ideas with its double voice and its suggestion of both the possibility of hiding a message and the possibility of breaking in. I love the style you have of listing steps, points, etc. The numbering in my life is so powerful!
I actually have not seen the Manchurian Candidate (either version) so I’ll need to put that in my queue. Perfect secrecy intrigues me so much that I have written the outline of a sci-fi novel on it. Thank you for your fascinating comment!
seriously fascinating, you really took this prompt to task…the document you chose immediately grabs my attention, growing up wanting to be james bond…smiles…you kept your own voice as well in between…..it is hard to know what to believe in anything that comes out of the shadow departments…the truth would def be scary…
Thanks Brian, I do like to wrestle prompts to the ground when possible :). I felt the contrast in clarity (the memo) and obfuscation (my poetry) would work well in a work about concealment and psychological manipulation. So glad you found it fascinating!
Very cool – really like a teeny novella by Anna Le Carre. k.
Haha, you’ll laugh at me as I Googled Anna Le Carre and went wait a minute… oh, John Le Carre (didn’t know who he is either). Too funny!
He’s very good. All kinds of movies made of the books too. K.
Thanks k. I’ll have to read one of his books.
This is so brilliant, Anna! I love every word/line/thought. The way you wove all this together…man!
The repetition of ‘it can be arranged’ brought me back to the chill of that time and the overshadowing feeling that anything could happen at any time.
Brilliant!!
-Eva
Eva, I am going to throw you a reader’s appreciation day parade complete with enormous balloons of your favorite things! Or at least send you flowers!
very cool on including snippets of a CIA document…and i of course love the mention of berlin.. another great weave from you and maybe you should think about joining the secret service..smiles..
How do you know I’m not a infiltrator garnering valuable data on the threat internet poetry poses to the stability of international relations – :D? Yeah, I don’t think they have a department for that…
My experience of hypnotism was not like this. It was constructive and gentle.
These choices seem to be all sad? I am not very good at puzzles and so perhaps I do not understand. I can imagine that safety is important for spies. Perhaps there is a happy peace after their time of duality?
Very glad to hear that! I’ve never been hypnotized.
The persona is from a sci-fi novel I’m working on where the main character is struggling with severe childhood abuse in intensely destructive ways.
wishing your character happiness and safety. good luck with writing the novel.
and safety for the other characters if that one is destructive regardless of cause.
Yeah, that’s unlikely :).
Thanks! I only have the outline so far, she’s a hard persona to write.
A creative work Anna ~ I like how you weaved the CIA storyline with the mathematics and what-not-scientific terms ~ It was like another novel unfolding under your skilled pen ~ I appreciate the time and effort you put into this ~ Great post ~
Thanks Heaven, it was fun to do the research. I enjoyed your exploration of Jackson Pollock and Lee Krasner’s relationship.
This is chilling and flawlessly executed.
I think the rewrite helped fix the elements in the first poem that weren’t working and adding some clarity and dimension through the excerpts from the memo.
I like very much the direct voice in this Anna–the narrative is surreal and disassociative, yet the structure is really strong, the word choice is complex but clean, and it all works together to keep the poem on track, the message eerie and clear–nice Orwellian feel, as well. I can almost hear ‘O Fortuna’ playing muted in the background. ;_)
Ooo, that would be an awesome soundtrack. I thought the content needed the structure so I appreciate your feedback there very much.
This does have an Orwellian feel to it…altogether creepy. Very effective use of the CIA memo. And a perfect interpretation of the prompt.
Thanks Victoria, I think the rewrite did the trick.
A cool scifi trip with scraps of CIA, wow..
Thanks Irene, nice to meet you!