mindful inquiry processes mirroring
eros as an act of imagination
sounding an eternal song of bittersweet promises
our invitation to the sublime
delight is its kinetic drive
lack its animating catalyst
expressing desire in oracles and riddles
Aristophanes’ closest possible union*
existing at the edge of the actual and possible
a liminal being pines for embodiment
craving pomegranates and blue lotus blossoms
travelling arabesque corridors of self-awareness
we lovers define the boundaries
pictorial and phonetic glyphs
capturing thought in intimate arrangements
phonemes and diction engage wild twists of cognition
vocalized syllabary refined to acoustic components
sacred vibrations joined in fluid succession
our mouths formulate the symbols
breath conducts seductive influence
written pages the conductors, energy arcs distance
ornate signifiers, rugged paths trace emotion
bas-relief, each line a tactile sensation
memorized by the nuanced flourish of hands
semantic impertinences, Aristotle’s epiphora*
metaphors poured upon the surface of poetry, etching passageways
these epiphanies define our pilgrimage
encountering the nature of love
Notes:
Mnaomai: 1. To be mindful, to have in mind, to direct one’s attention to 2. To woo, court, be a suitor.
Aristophanes: No, obviously the soul of each is longing for something else which it cannot put into normal words but keeps trying to express in oracles and riddles. Suppose that, as the lovers lay together, Hephaistos should come and stand over them, tools in hand and ask ‘O human beings, what is it that you want of one another?’ And supposed they were nonplussed, so he put the question again: ‘Well is this what you crave, to be joined in the closest possible union with one another, so as not to leave one another by night and day?’
Aristotle’s epiphora: ‘To give names to nameless things by transference [metaphora] from things kindred or similar in appearance’ is how Aristotle describes the function of metaphor…There is in the mind a change or shift of distance, which Aristotle calls an epiphora, bringing two heterogeneous things close to reveal their kinship. The innovation of metaphor occurs in this shift of distance from far to near, and it is effected by imagination. – From Anne Carson’s magnificent book Eros The Bittersweet.
Linked to dVerse Poetics prompt hosted by the talented Claudia! Please join in the fun at http://dversepoets.com/2012/01/21/poetics-b-%c2%a6-o-%c2%a6-r-%c2%a6-d-%c2%a6-e-%c2%a6-r-%c2%a6-s/#comment-8475
some intriguing quotes and thoughts there…and i think a universal truth in that we want closeness or intimacy…we often look for it in many ways, some healthy some not so….we were never meant to walk alone you know…and that comes in true intimacy but also companionship
good to see you writing. smiles.
Yes, you make an interesting point about true intimacy and companionship. Thanks for coming by to read :).
Anna! I so hope you are enjoying your adventures, finding peace and poetry on your journey. If this is any example, then I dare say you’ve been finding your pen inspired. you’ve got some great lines that really resonate…good vibrations 🙂 But my favorite stanza would have to be:
existing at the edge of the actual and possible
a liminal being pines for embodiment
craving pomegranates and blue lotus blossoms
travelling arabesque corridors of self-awareness
I have enjoyed my adventures and am now settling in with my cousin in Tulsa for a while. I’m excited to be back visiting dVerse, wonderful to see you again.
this is just awesome…read it three times and each time i discovered something new.. your poems always reveal themselves in layers… great lines and images in this…we lovers define the boundaries… the deciding together how far to go is a key for me in this..and just love the lotus blossoms and travelling arabesque corridors of self-awareness
Thank you Claudia, I always appreciate you take the time to look closely at the layers. It’s great to be back at dVerse today it’s fantastic to be able to join in. I’m happy you found meaning and enjoyment in my poem :).
This is beautiful, Anna–many many readings to truly drink the cup it offers, but even sipping I get a bit giddy from lines like the one Natasha quoted above, and “…metaphors poured upon the surface of poetry, etching passageways..” and it’s successors. Also, thanks for explicating the epiphora–when two differences join, it’s always worthy of a Greek phrase, if not a small party. ;_) Enjoyed this much Anna, and so good to ‘see’ you around–you are missed.
Thank you Hedge! Wow, I don’t think I’ve made you giddy before, I’m especially proud of that :). Love your line about epiphora and laughed at the party reference. I can’t wait to read your poem today.
Any poem that mentions Aristotle and Aristophanes in the same work is alright by me.
Good to know, thank you.
So many layers to this. So many meanings, though some are illusive to me. But that’s okay, as I can learn. Seconding Chazzy’s words as well.
Thank you Mary, I enjoy creating work that can be approached again and again and provide new insights or meaning to the reader. Also, it’s important for me to challenge myself when I encounter inspiration.
Greek poets of the 6th century — when a certain conscious mind was blasting into existence — found that eros was mightiest and most daemonic around the edges of their words for Love. And it’s been so ever since, as you so finely articulate here. A lot of this reads off the tongue, just the way tongues to off each other, gliding and glissading and glistening with all of that good stuff. Anne Carson in Eros The Bittersweet said that word symbol comes from Greek symbolon or “knucklebone.” Lovers would keep halves of knucklebone as a symbol of their union, that they were incomplete without the other. Funny how such metaphors so aptly name matters of the heart. Great work, Anna. – Brendan
Thanks Brendan, happy to hear you know her book! I also appreciate the tongue comparisons which are so appropriate to the subject and an excellent metaphor for her intriguing method of exploring language, philosophy, and eros. Glad to know I captured some of that essence in my poem.
Traveling arabesque corridors….I’m there!
Wonderful, I really loved your poem today.
For me, as I read this, I could trace a journey beginning the questioning mind. Oracles and riddles — that relates again finding meaning and pattern in what we see.
“vocalized syllabary refined to acoustic components
sacred vibrations joined in fluid succession
our mouths formulate the symbols
breath conducts seductive influence
written pages the conductors, energy arcs distance
ornate signifiers, rugged paths trace emotion
bas-relief, each line a tactile sensation
memorized by the nuanced flourish of hands”
Like casting a spell. 🙂
Love the ending. Metaphors — a good one does seem to have effect of opening one’s mind to another dimension and new discovery of a facet of life.
Really glad to see a poem from you today!
Thank you Ravenblack, I’m so glad you saw the parallels in the birth of the questioning mind. The inclusion of vowels by the Greeks was an amazing breakthough in abstract thought. Always wonderful to see you here :).
I read so many blogs by young people now and they seem unable to differentiate between love and lust anymore. They seem to think the sex is love and romance is a foolish thing to crave. It’s so sad to see it all so reduced in feeling. Where would we be without love. This is such a lovely write on many levels of intimacy. When lust wears off, and it usually always does, what is there left if they have nothing else to share. I so miss the intimacy of snuggles and cuddles.
A really lovely write Anna.
Thank you kindly, for me love creates attraction not the other way around :).
Love and intimacy along with friendship and respect is the greatest aphrodisiac
of all.
http://lkkolp.wordpress.com/2012/01/22/who-cares-about-whats-that/
I agree completely.
“delight is its kinetic drive
lack its animating catalyst”
I love that!
It’s so good to see you; my dictionary has been gathering dust!
Yay, dictionaries enjoy attention :).
This is stunning. And so challenging – not sure how many times I shall need to read it. Quite a few, I’m thinking!
Thank you for the feedback and lovely compliment.
i like enjambment in first two lines
this is an important statement because we choose whether or not we shall fall in love:
existing at the edge of the actual and possible
to me this “semantic impertinences” pretty much defines love poetry, in general
I could see that as ‘semantic impertinence’ is how one scholar summed up metaphor. Thank you for reading!
achy longing on the edge of belief
what kind of resolution?
does this love breathe the emptiness
the way fire expresses oxygen?
what emerges if the quantum energies
resolve into a tangible reality?
what do you see?