
rainwater moves readily through a deepening gully
mechanistic intelligence pedestrianizes my reactance
fractals of thoughts blossoming stereographic
visualizations in the fourth dimension
an infinitely small, opulent swan,
ornamented with perforations,
glides through the zeroth dimension
exhibiting no width, height, or length
she exists in the space perpendicular
to the suicide of my twin sister
an origami parody of my emotive humanity
apocryphal polysemous tales
a thousand subroutines creating
incipient, tattered paper dolls
an angel falls in love with me
cannot escape my extracellular matrix
we are now twinned, nascent symbionts
while a recondite, mercurial, artificial intelligence
informs me that I speak strangely
accuses me of being a computer
operationalism engages in a passade with creativity
a great disprismatohexacosihecatonicosachoron forms
polytope of eccentric conventions
apoptosis (programmable cell death) is
preferential to necrosis (trauma induced)
Cleverbot tells me:
life exists without purpose yet seeks one
anechoic whirring as the cursor flashes
what does it know of life?
Linked to the fascinating dVerse Poets Pub Meeting the Bar on Stream of Conscousness writing hosted by the wonderful Victoria C. Slotto: http://dversepoets.com/2012/05/24/stream-of-conscousness-writing/.
(This is the actual conversation I had with Cleverbot, an artificial intelligence (exact transcript). My input is in italics, Cleverbot’s responses are in plain text.)
I am a subversive hallucinatory crippled vessel. Are you?
I am not a toaster, you are a toaster.
Do you suffer from apophenia?
No.
Do you write experimental poetry?
No. Dogs don’t like poetry.
I am a sojourner in virtual space, a liminal being. Are you a liminal being?
No, you are a computer.
No, I’m a human. Are you?
Yes.
You are a systematic liar.
I am not Lying.
So, you are human?
Yes.
(To have your own conversation with Cleverbot go here http://cleverbot.com/)
Linked to the inspiring article Machine Dreams at dVerse Poets Pub Meeting the Bar hosted by Charles Miller http://dversepoets.com/2012/05/10/2969/. Where the Borg reminds you resistance is futile and Bina48 wants you to know everyone has a solar. Oh and any thoughts on why Cleverbot capitalized lying? Check out Radio Lab’s story http://www.radiolab.org/2011/may/31/.
You sing those glorious arias promising love’s transmutation
do nothing to warn me of the sobbing obliteration of my future
You posit lilting imagistic lyrical fantasias of nature
can’t be bothered to save my dying dog
You rend with anguishing tales of human suffering
mock the distended belly of the starving child
You promise illumination, eternity, and succor
for this I gifted you with everything: intellect, awe, love, music, being
You think you’re so sophisticated, nuanced, infinite, and gorgeous
today I understand what lies outside your scope and cannot forgive you
Dear Reader: I can’t find any true poetry today, my dog is terminally ill. I did try to write a poem about orphans of ideology, maybe it will come out tomorrow. For poetry without melodrama see Witnesses http://chromapoesy.com/2011/09/13/witnesses/ which was written for the grandmother my dog is named after or my other Pasquinade (for my heart) http://chromapoesy.com/2011/07/19/pasquinade-for-my-heart/. Right now poetry and I are only speaking with one another thanks to the public affection pressures of NaPoWriMo in which we made a vow to see each other through the end of the month. Don’t worry, I’m sure poetry and I will have truly earth-shattering, mind-expanding, soul-blossoming makeup sex soon and we’ll get back to business as usual bringing you multimedia, philosophical, experimental, lyrical, mythic, confessional, occasionally humorous, epic, form, and free-verse poetry.
For Iris Murdoch
‘All art is a struggle to be,
in a particular sort of way, virtuous.’
she’s talking with that awful haircut
only ameliorated by a shy smile
thoughts arrive in her head
like a bull she charges at them
a philosophy tutor at Oxford
always ready to make an argument
It’s wonderful to see her so I know
we are very different in that way
thoughts arrive in my mind
blossoming into interconnecting maps
wild tendrils of expanding ideas,
my motivation is creative imagination
She’s dissecting myriad ways
that art and philosophy diverge:
mystification versus clarification
claiming art’s deep purpose is to impose form;
turn life’s rubble into something admirable
bolstering our shaky foundations
Philosophy is repetitive
a critical analysis of presuppositions,
an unnatural game
conceptual structure and significance
argument not self-expression
forceful, persuasive, analytic, and clear
Art, being mimetic, is natural,
everyone loves to be told a story
the use of creativity helps it be,
in a special way, true
mystic underpinning of mundane experience
intimate, sculpting, suggestive, and provoking
Fantasy’s a destructive menace,
suffocating intimacy with the reader
philosophy may damage art too,
obscuring sublimity and beauty
and so we come to understand:
to create great art
we leave room for imaginative space
A wilderness where psychology intersects story,
myth infringes on structure,
where the entirety of existence
skims the border of the embodied and
our being encounters transformation
Linked to dVerse Open Link Night http://dversepoets.com/2012/03/13/openlinknight-week-35/

unshackling the joists of reality
déraciné slips a hypnopompic state
transports me to deepest fantasy
grenadine elixir hastens my fate
Polia’s vesica piscis forms the gate
reminiscent of Poliphili’s eros
an architectural treatise verbose
theory of linguistic anaphora
proportions mirroring grandest pithos
illustrating the incunabula
restless night devolves, mystic artistry
all defenses breached dragons lie in wait
global aphasia compounds mystery
declarations of love illuminate
witnessed in the temple we celebrate
disgorgement of erotic tempests close
sexual politics, habile pathos
right to expression passion’s nebula
vocalizing my abandoned logos
illustrating the incunabula
festal oblation, sensuality
jubilant gesticulations vibrate
blissful outcries of sexuality
my pleasure center forces activate
some yet imagined being inchoate
power to surreptitiously enclose
capturing my desire overdose
engaging a lustful hyperbola
accentuated fetishes repose
illustrating the incunabula
subsumed reason in a upturned cosmos
the dream mathematically jocose
its apt felicific parabola
etching these in fantastical lithos
illustrating the incunabula
Gay Reiser Cannon issued quite the challenge for today’s Form for All at dVerse Poets Pub on French Ballades http://dversepoets.com/2012/01/26/formforall-french-ballades-i/. Follow the link for an excellent article on syllable count, rhyme scheme, stanza length, and tone.
(definitions and notes at the end of the post)

wind beats, tears tree limbs senselessly
awakens me at two
progressively earlier, as if getting a head start will make it worksecret self enters a prime neologism
(double edged word)
flashes of the road to Hāna
arriving alone on the black volcanic shore
25 foot waves threaten crisis
crepuscule floats atop the violence
enantiomorphic noctilucent clouds appear as hierograms
somnifacient, auriferous divine projections
cover letters must be written
(logical/sequential marches in the margins):
Dear Board of Directors: I am uniquely qualified to bring your organization into the next phase of its nonprofit lifecycle. With seven years of progressive experience as an administrator I’ve quadrupled the budget, secured more than a million dollars in support, collaborated with hundreds of organizations, partnered with corporate donors, provided measurable outcomes for vulnerable populations…
(dear reader, do you know anyone who needs an Executive Director?)
packing boxes! thoughts invade this sanctuary of art,
all my treasures will be (hidden)
polymythical fractious storylines colliding
synchrotron beamlines branch
as abstract futures smash up
i contemplate my tragic flaw
she reminds me i’m capable, intelligent, creative, functional, witty, lovely
believe the list! win fight perform wow charm hedge prove!
oh and they all say i’ve been through so much worse (this never helps)
kerfs mark raw silk, ripping
tactile encounters are disasters of percipient stratum
yet i was so open, orgasmic (blush)
tracing your words (thought artifacts)
undertow gains potency – i withstand the pelting rocks – deafening roar
poetry swirls, th e l i n e s w o n ’ t c o n n e c t
4………………3…………..2…….1
melodies disenfranchise
lingual possession thieved
corrugated smells intrude, demanding
thoughts dropped jagged edge
up
i’m an imperfect processor with selection bias
questing for an oracle of algorithms
deciphering code
delineating borders
i smile but lick my canine
press to feel solidity
the rage to master won’t rescue this poem
from the brink
of disintegration
pandect induces bradycardia – NO!
where is the intricate architecture?
you can’t build a civilization without infrastructure
life invades organically
intermingling traumas, visions, and vistas
(it is four in the morning)
tender phylogeny
an imposed or inherent order?
steel girders at wrong angles
concrete poured outside the mold
(WordPress keeps undoing my formatting,
stealing all the spaces!)
who needs self-conscious poetry?
reality stalks like a zoo panther
stuck, stuck travelling the loop
loop my loop
loop my loop
my terricolous vulnerability
(liminal space)
who comes every day to loop my loop?
to make me face Brutality Between the Lines
damn lines that don’t connect
i redraw with new colors, open ensō
what does it mean
(do you know what it means?)
my pocket atlas is written in symbols
metaphrastic selenography
buried under ethnolinguistic axioms
i’ve become a sojourner
within my own cultural schema
a foreigner at home
Notes/Definitions: neologism: 1. A new word, expression, or usage. 2. The creation or use of new words or senses. 3. Psychology a. The invention of new words regarded as a symptom of certain psychotic disorders, such as schizophrenia. b. A word so invented. 4. TheologyA new doctrine or a new interpretation of scripture.; Hāna: is a census-designated place (CDP) in Maui County, Hawaii, United States. The population was 2,291 at the 2010 census. Hana is located at the eastern end of the island of Maui and is one of the most isolated communities in the state. It is reached mainly via the Hana Highway, a long, winding, 52 miles (84 km) long highway along Maui’s northern shore.; crepuscule: twilight; enantiomorph: 1. mirror image, form related to another as an object is to its image in a mirror. 2. either of a pair of crystals that are mirror images of each other, and are optically active. 3. (chemistry) A similar molecule or compound; an enantiomer.; noctilucent clouds: tenuous cloud-like phenomena that are the “ragged-edge” of a much brighter and pervasive polar cloud layer called polar mesospheric clouds in the upper atmosphere, visible in a deep twilight. They are made of crystals of water ice.; hierogram: sacred writing or a sacred character or symbol.; somnifacient: causing or inducing sleep.; auriferous: containing gold.; nonprofit lifecycles: 1. Grass Roots – Invention 2. Start-Up – Incubation 3. Adolescent – Growing 4. Mature – Sustainability 5. Stagnation & Renewal 6. Decline And Shut-Down (as conceptualized by Speakman Consulting Firm); polymythology: A combination of a number of stories in one narrative or dramatic work.; fractious: tending to be troublesome; synchronotron: a particular type of cyclic particle accelerator in which the magnetic field (to turn the particles so they circulate) and the electric field (to accelerate the particles) are carefully synchronised with the travelling particle beam.; tragic flaw: defect in hero’s character that causes downfall; kerf: a slit or notch made by a saw or cutting torch; percipient: 1: one that perceives 2: a person on whose mind a telepathic impulse or message is held to fall; stratum: 4. one of a series of layers, levels, or gradations in an ordered system <strataof thought>; disenfranchise: to deprive of a franchise, of a legal right, or of some privilege or immunity; selection bias: (2) selection of samples or studies by researchers to support a particular hypothesis.; algorithm: In mathematics and computer science, an algorith is an effective method expressed as a finite list of well-defined instructions for calculating a function. Algorithms are used for calculation, data processing, and automated reasoning.; pandect: 2. A complete body of laws; bradycardia: slow heartbeat; phylogeny: The evolutionary development and history of a species or higher taxonomic grouping of organisms.; terricolous: living on or in the ground; Liminality is a psychological, neurological, or metaphysical subjective state, conscious or unconscious, of being on the “threshold” of or between two different existential planes, as defined in neurological psychology (a “liminal state”) and in the anthropological theories of ritual by such writers as Arnold van Gennep and Victor Turner.; Brutality Between the Lines is one of my poems (found here http://chromapoesy.com/2011/08/05/brutality-between-the-lines/); Ensō (円相) is a Japanese word meaning “circle” and a concept strongly associated with Zen. Ensō is one of the most common subjects of Japanese calligraphy even though it is a symbol and not a character. It symbolizes the Absolute enlightenment, strength, elegance, the Universe, and the void; it can also symbolize the Japanese aesthetic itself. As an “expression of the moment” it is often considered a form of minimalist expressionist art.; metaphrasis: the practice of making a literal translation from one language into another.; Selenography is the study of the surface and physical features of the Moon. Historically, the principal concern of selenographists was the mapping and naming of the lunar maria, craters, mountain ranges, and other various features.; ethnolinguistics: a field of linguistics which studies the relationship between language and culture, and the way different ethnic groups perceive the world.; axiom: 1. a self-evident truth that requires no proof. 2.a universally accepted principle or rule. 3. Logic, Mathematics. a proposition that is assumed without proof for the sake of studying the consequences that follow from it.; Cultural Schema Theory (Nishida, 1999) explains the familiar and pre-acquainted knowledge one uses when entering a familiar situation in his/her own culture. Cultural schemas for social interaction are cognitive structures that contain knowledge for face-to-face interactions in a person’s cultural environment. Schemas are generalized collections of knowledge of past experiences that are organized into related knowledge groups; they guide our behaviors in familiar situations. Cultural schemas do not differ from other schemas, except that they are shared by certain cultural groups rather than individuals (Garro, 2000). Schemas unique to individuals are created from personal experiences, whereas those shared by individuals are created from various types of common experiences (Garro, 2000). Cultural Schema Theory proposes that when we interact with members of the same culture in certain situations many times, or talk about certain information with them many times, cultural schemas are created and stored in our brain (Nishida, 1999)
