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Chromapoetica

Category: Postmodern

Constructs in the Fourth Dimension

Filed under: Art, Mathematics, Music, Philosophy, Postmodern, Science — 49 Comments

May 15, 2012

Henry Moore Two Forms

Curved space departs Euclidean geometry
threshold frequency erects the base
a foundry of hollow spaces
where precept and concept unify

Biomorphic casts of pre-rational,
ethnographically inspired models
pre-cultural, non-mimetic abstracts
concave intoning: existence precedes essence

Sublime convex aural manifestations
quarried from a lost-wax echoic art
direct carving: interplay of vision and thought
purify significant appearance

Resonant mysteries of integral multiples
harmonic interstices amplify
isolating substance from contaminates
molding an armature of pure form

This poem is for Open Link Night at dVerse Poets Pub http://dversepoets.com/2012/05/15/3186/.

Tags: poetry

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Calyx of Held

Filed under: Art, Love, Postmodern — 38 Comments

May 3, 2012

Calyx of Held – Erasure Poem – Click on picture to zoom

Calyx of Held

Selden laid the book aside
bitter waters of life
mystery or taint

troubled vision cleared
insinuations of money
intolerable, unmitigated

mute lips
rest in the kiss
all that his heart craved

detachment
his spiritual fastidiousness
fated to pass

the ruin of their lives
atrophy and extinction
drew him in the silence

Thanks to Vince Gotera for the magnificent prompt on erasure poetry http://vincegotera.blogspot.com/2012/05/post-napowrimo-prompt-erasure-poetry.html.
This is my first attempt at the form. Calyx of Held (click to hear the audio file)

Also shared on Open Link Night at dVerse Poets Pub hosted by heroic Natasha Head http://dversepoets.com/2012/06/05/openlinknight-week-47/

Tags: experimental poetry, poetry

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• Postmodernism

  Postmodernism is an intellectual, artistic, philosophical, and/or cultural mindset that questions institutionalism, hierarchy, power, and simple, knowable truth. Alternatively it embraces complexity, contradiction, ambiguity, fractured metaphysics, multiplicity, deconstruction, and diversity. In poetry it offers semiotic liberty.

• Robert Anton Wilson

  Semantic noise also seems to haunt every communication system. A man may sincerely say, ‘I love fish,’ and two listeners may both hear him correctly, yet the two will neurosemantically file this in their brains under opposite categories. One will think the man loves to dine on fish, and the other will think he loves to keep fish (in an aquarium).

• Witold Gombrowicz

  Here is the writer who with all his heart and soul, with his art, in anguish and travail offers nourishment – there is the reader who’ll have none of it, and if he wants, it’s only in passing, offhandedly, until the phone rings. Life’s trivia are your undoing. You are like a man who has challenged a dragon to a fight but will be yapped into a corner by a little dog. from Ferdydurke

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• Gustav Flaubert

  Everything one invents is true, you may be perfectly sure of that. Poetry is as precise as geometry.

• Dušan “Charles” Simić

  Poetry is an orphan of silence. The words never quite equal the experience behind them.

• Monique Wittig

  Language casts sheaves of reality upon the social body, stamping it and violently shaping it… Language as a whole gives everyone the same power of becoming an absolute subject through its exercise. But gender, an element of language, works upon this ontological fact to annul it as far as women are concerned and corresponds to a constant attempt to strip them of the most precious thing for a human being – subjectivity. Gender is an ontological impossibility because it tries to accomplish the division of Being. But Being is not divided. God or Man as being are One and whole. So what is this divided Being introduced into language through gender? It is an impossible Being, it is a Being that does not exist, an ontological joke, a conceptual maneuver to wrest from women what belongs to them by right: conceiving of oneself as a total subject through the exercise of language. The result of the imposition of gender, acting as a denial at the very moment when one speaks, is to deprive women of the authority of speech, and to force them to make their entrance in a crablike way, particularizing themselves and apologizing profusely. The result is to deny them any claim to the abstract, philosophical, political discourses that give shape to the social body. Gender then must be destroyed. The possibility of its destruction is given through the very exercise of language. For each time I say ‘I’ I reorganize the world from my point of view and through abstraction I lay claim to universality. This fact holds true for every locutor.

• W.S. Merwin

  All the things that really matter to us are impossible…Writing poetry is impossible. I don’t know how to write a poem. A poem – there has to be a part of it that is not my own will; it comes from somewhere that I don’t know. There is so much that comes out of what we don’t know and what we don’t have any control over. I think that one of the only things we can learn as we get older is a certain humility. – from Doing the Impossible

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